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Professional studio design is a specialized science, with more than a touch of "black magic" thrown in. Over the past few years, Sound on Sound magazine has made one trip each month to a reader’s studio. These visits have demonstrated that it is fairly simple to make a huge improvement to an untreated project-studio room, without spending a fortune. However, they’ve also proven that beginners’ attempts at DIY acoustic treatments often cause more problems than they solve.
Utilizing knowledge from dozens of visits to readers’ home and project studios, the SOS team imparts easy-to-understand, organized troubleshooting advice. Learn how to rid yourself of monitoring problems and get an accurate monitoring system, how to enhance the sound of your recording space, and how to perfect your instrumental and vocal recordings. Decrease the time you spend re-recording and mixing, simply by improving your room with advice from the guys who have seen it all when it comes to make-do small studios. Contains:
- A structured look at the problems that most often plague small studios, with individual studio case studies addressing each issue
- Real solutions that you can both afford and implement; no thousand-dollar investments or idealized studio designs that don’t work with your space!
- Case studies that look at small studios’ specific problems, with additional break-outs tips that address quick fixes to common problems
- Sales Rank: #334583 in Books
- Published on: 2013-04-26
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .66" w x 7.50" l, 1.65 pounds
- Binding: Paperback
- 304 pages
About the Author
Paul White is Editor-In-Chief of Sound On Sound. Trained in electronics, he has been recording music since the 1970s. He also performs and mixes live gigs, and is the author of a number of music recording textbooks.
Hugh Robjohns is the Technical Editor at Sound On Sound. Trained at the BBC, he has lectured at the Corporation's technical training centre and continues to deliver specialist training to broadcast organisations around the world.
Dave Lockwood is the Editorial Director of Sound On Sound. Formerly a professional musician and studio engineer, he is also a best-selling artist at the guitar-tuition website JamTrackCentral.com.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Perfect for home producers
By am0eba
While Robert Runstein's "Modern Recording Techniques" continues to serve as the recording studio "bible" (as it has been through it's many iterations over the last 40 or so years), The Studio SOS Book by the editors of Sound On Sound magazine is perfectly presented for its target audience of "bedroom producers". It contains inexpensive, down-to-earth fundamentals for getting the most out of what they refer to as a "project studio", whether that be a custom-built room, a converted garage space, or merely a corner of an apartment bedroom.
They've applied their experiences of over a decade of monthly project-studio overhauls to provide a wealth of no-nonsense tips, suggestions, and techniques that work. Written in a casual yet erudite style, topics include: choosing and setting up monitor speakers (Including extremely useful info about room placement and basic acoustic treatment), soundproofing, cabling & connections, vocal recording, instrumental recording, mixing, and mastering. The book is loaded with goodies, and should be part of every "project studio's" library.
Highly recommended.
0 of 0 people found the following review helpful.
The studio SOS book is by far the most in depth for basic home recording.
By Nathan Rice
I own countless books on the art of recording, but like so may of them, they go way deeper in level of recoding & mixing that I feel only pertains to big budget & production studios. For example, recording drums. So many books give instructions & advise on the assumption that they are in a huge perfect room, played on a kit costing a few thousand dollars, and recording a drummer on the same level as, let's say, Chad Smith from TRHCP...
The studio SOS book makes no assumptions at all. In fact, the book gives the best advise if someone is recording drums in the worst room, on the worst kit, and a mediocre drummer behind the kit! And my experience (as I'm sure a lot would agree) are the typical environments a lot of people if not most are stuck having to record in. If this is describing you and your environment, .... Also, Subscribe to their Magazine! Give them support!! I don't know what I would do if they ever went under.....
0 of 0 people found the following review helpful.
Good read
By Giel
Great book on acoustics and everything you really need to know about studios and sound.
I would certainly recommend it to sound engineers and sound enthousiasts.
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